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Samedi 19 mai 2012 6 19 /05 /Mai /2012 08:52

Les Systèmes de sonorisation se composent d’enceintes  RCF série P  choisies pour la sonorisation du Saint-André et le Stade Britannia, respectivement les stades de Birmingham City FC  et Stoke City FC.

Le  stade Saint-André à Birmingham a été inauguré en 1906 et des rénovations récentes ont inclus un renouvellement de son système de sonorisation pour couvrir  uniformément et avec un degré d'intelligibilité élevé les 30.000 places.

En raison de la résistance aux intempéries (IP55), l'excellente couverture, la puissance et les enceintes de qualité sonores P3115-T ont été considéré comme le plus approprié pour la sonorisation  des différentes zones du stade. En outre les modèles  P2110-T ont été installées pour sonoriser  des zones situées derrière les portes .

Ouvert en 1997, le Stade Britannia à Stoke City   peut accueillir jusqu'à 28.400 spectateurs assis.
C'est également pour cette importante installation qu’ont été  choisis les modèles RCF P3115 et P2110-T en  configuration  cluster pour sonoriser  une partie du stade
.

 

  1 stade  2 stade

3 stade 4 stade

 

P3115-T

ENCEINTE COAXIALE 2 VOIES, ETANCHE, RESISTANTE AUX INTEMPERIES

P3115-T

Le P3115-T est une enceinte coaxiale 2 voies , étanche, résistante aux intempéries à grande couverture présentant puissance et efficacité suffisante pour une grande variété d’applications Soit en extérieur soit en intérieur.

La section hautes fréquences est piloté par un pavillon CDM à directivité constante chargé avec un moteur de 1’’ RCF Précision néodymium avec membrane de 1,5’’ pour une ample diffusion et douce du son. Le woofer basse est un 15’’ avec bobine de 2,5’’.
Le P3115-T est équipé d’un transfo multiprises pour applications 70 V ou 100 V.
La coque est en monobloc de polietylene à moyenne densité ,moulé avec protection complète aux rayons ultraviolets.
La coque est equipée par 12 inserts M8 en laiton ,une fixation en ‘’ U ‘’ en acier inox et deux séparateurs pour le montage à 90° . Le logo frontal est en aluminium amovible.
La grille est en aluminium perforé avec revêtement interne en tissus imperméable et polyuretane expansé à cellules ouvertes.

P2110-T

SYSTEME COAXIAL PROFESSIONNEL POUR LES APPLICATIONS EN EXTERIEUR

P2110-T

Le P2110-T est un diffuseur coaxial imperméable deux voies à large couverture qui offre une puissance suffisante pour diverses applications professionnelles, en intérieur ou extérieur.

La section dédiée aux hautes fréquences est constituée d'un pavillon à directivité constante CMD chargé dans un driver à compression en néodyme RCF Precision de 1" avec une membrane de 1,5" pour une diffusion souple et vaste.
Le haut-parleur pour les basses fréquences est un woofer de 10" avec bobine de 2.5".
La structure est rotomoulée en polyéthylène de moyenne densité d'une seule pièce, entièrement protégée des rayons ultraviolets. De plus, le meuble est équipé de 12 points de suspension en laiton (M8), d'une bride en U en acier inoxydable et deux entretoises pour le montage à 90°.
Le logo frontal, pivotant, est en aluminium.
La grille en aluminium perforé est doublée, à l'intérieur, d'un tissu imperméable et de polyuréthane expansé à cellules ouvertes.
Le système est équipé d'un transformateur multiprise pour des applications à 70 ou 100 volts.

Par rcf france - Publié dans : INSTALLATIONS
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Jeudi 17 mai 2012 4 17 /05 /Mai /2012 12:05

+londres 1 + londres 2

 

+londres 3 +londres 4

+londres 6

 

 

One of London’s top rehearsal studios has upgraded its flagship Studio A with end-to-end RCF TT+ active loudspeakers.

 

Charlie Barrett, who has run Terminal Studios for the past 28 of its 33 years, has been heavily committed to providing leading edge PA systems for its premier clientele, since moving the business to Bermondsey in 1990. Last month he introduced line array technology, commissioning six RCF TTL33-A active enclosures — three elements a side — and two ground-stacked TTS28-A subs to maintain their competitive edge.

 

It was in the early 90’s that Barrett started to periodically renew the technical infrastructure but recognised recently that his trusty 12-year-old system had reached end of life.

“I have always been a bit of a gear nerd and having a good PA that would keep us ahead of the game has always been our USP.

” A couple of years ago he made his first investment in RCF in the form of 12 processor-controlled RCF TT22-A full range point source system and six TTS18-A subs as a dry hire rental system for Terminal’s corporate and small scale live work. At the same time he purchased six TT25SMA dedicated stage monitors.

 

 “We liked the system a lot when we heard it,” he remarked. “It goes out regularly but has been absolutely reliable and not one component has ever broken down. On top of that a number of engineers have passed favourable comment.”

 

So when it came to upgrading the premier of Terminal’s five studios he was eager to revisit the brand — aware that although RCF has penetrated many market sectors it is still developing a touring pedigree. “This room is hugely influential and is used a lot for record company showcases. RCF may not have the brand visibility yet in the touring world but there were a number of positive reasons for choosing it,” he said.

 

The proven reliability of the earlier TT+ system had been a key driver. “We wanted to keep the amount of power we had from our previous system — but without the harshness.

 

 “Because we had already tried the RCF TT+ range I knew it to be both powerful and sweet sounding and also that it had been built without compromise. The big turn on was that it is very tightly processor controlled — in fact it sounded so great straight out of the box we were able to run it flat. It also takes up less space because there is no amp rack and you don't need to put separate crossovers in.

 

” As for the stage, following their positive experience with the TTS25-SMA wedge monitors, Terminal Studios have added a further six — plus three of RCF’s TT45-SMA 2 x 12 biamped wedges and an RCF 4PRO 6001A and 4PRO 8003-AS 4-way active drum fill. Once again, he notes that self-powered floor wedges can be added and subtracted more easily.

 

The room has around a 50ft throw and so benefits from having more components operating at lower level, believes Barrett. “Although the TT+ system doesn't sound loud, the whole room is completely filled with sound, and the bottom end is also impressive. Using RCF’s proprietary flying frame we can rotate the speakers to point either at the listener or the band.

 

” In the short time since its installation The TT+ (Touring & Theatre) system has already proved itself with a wide variety of acts including Jessie J, Chase and Status, JLS, Ollie Murs, The Wanted, Dappy and Brian May.

The sight of the TTL33-A certainly brought back memories for Chase and Status’s experienced sound engineer, Rampton — prepping for the latest festival tour; he immediately recalled playing through the same system at Cologne Live Music Hall with the two men last year.

 

“The Cologne show was the last in the run and the tech advance had been a little sketchy. So when I walked into the venue and saw these small boxes flown left and right with just the four subs under the stage, I was a little intrigued as to what it was going to sound like. I was blown away immediately by the power and clarity this medium size array was producing. Furthermore, the four subs under stage were sending my kidneys through the back wall!! I was running the system flat at my end and was amazed to discover that there was no pre-EQ on the rig apart from a tiny little dip around 315 Hz and nothing else. I was amazed at the detail I was hearing and the two lads, Saul [Chase] and Will [Status] came out front and were knocked out by what they were hearing. It was awesome.

 “I used the same show file that we had been using with more familiar PA systems, yet this was another level completely. The show was the best of the German run and I would certainly be more than happy to walk into any venue and find the TT+ hanging there.

 

” Pics: Charlie Barrett in Studio A at Terminal Studios, with the new RCF TT+ rig

15.05.2012

Par rcf france
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Dimanche 13 mai 2012 7 13 /05 /Mai /2012 17:40

1botega 2botega 3botega 4botega

5botega 6botega

 

CP Sound has completed a full sound system installation at an upmarket Mexican restaurant in London’s Soho district.

The brainchild of Will Ricker (who heads up Ricker Restaurants), top New York nightlife designer, impresario and ‘cultural engineer’ Serge Becker was brought in to create the interior of this two-in-one operation. With a fully featured DJ booth set downstairs in the 95-cover basement restaurant lounge, the designer, also responsible for such places as the similarly conceived La Esquina as well as Joe's Pub and The Mercer Hotel — specified RCF sound reinforcement throughout, based on his positive experiences with the brand in the Big Apple.

Designing the sound for the hacienda style basement into five zones, Colin Pattenden of CP Sound has wall-mounted four C3110 full range, compact 10” + 1.5” horn, wide-dispersion, low profile loudspeakers, one in each corner of the main Piano Room. Providing low frequency extension are a pair of concealed Acustica S8015 low-profile Band-pass 15in subwoofers.

In the basement’s secondary dining area, which forms its own independent zone, are a further pair of RCF C3110’s and an S8015 sub, with three further C3110’s and a low profile sub distributing sound around the Basement Bar.

Stated Colin Pattenden, “Serge Becker requested that we used RCF and we were happy to do so as these are extremely powerful speakers. The system has been carefully processed, and although La Bodega Negra is situated under the Z Hotel, there is massive concrete isolation which enables the system to be pushed up to around 115dB if necessary. The S8015’s were fantastic for installing because they fitted snuggly underneath all the seating.”

Feeds into the system vary, from CD playback from Pioneer CDJ-900’s — with a DJ operating Tuesday through Saturday — to computer music files, which provide general background music. The sound has been carefully processed to optimise the coverage, and is distributed through a series of zoners to the ten different areas of the restaurant.

With a lively café and taqueria on the ground floor complementing the downstairs restaurant (each served by separate entrances), La Bodega Negra is the latest addition to Ricker Restaurants’ portfolio, their other units including such well-known haunts as The Great Eastern Dining Room, Eight Over Eight and E&O. Due to the locality of the venue homage is also paid to the history of the area — with a faux frontage designed to simulate a sex shop, with red neon lights.

Stated general manager, Richard Seldon, “These speakers produce a clean, well-balanced sound, with good bottom end. Downstairs we need music that’s loud, but at the same time doesn't interfere with the dining. The RCF system delivers that.”

 

Par rcf france - Publié dans : INSTALLATIONS
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Samedi 12 mai 2012 6 12 /05 /Mai /2012 07:27

RCF's TT+ Line Array technology makes it's major Japanese festival debut at the Big Beach Festival '12!

The Big Beach Festival has been voted the best dance-music festival in Japan for the past three years in a row and the TTL55-A is the perfect companion for this premiere musical event!

With over 17,000 people in attendance last year, past BBF events have included such big name artists as Fat Boy Slim, Carl Cox, DJ Sasha, Groove Armada, and has featured fireworks presentations, Red Bull Air Race Flight performances and even a special appearance of a Grand Prix winning F1 race car!

This year's headline acts are Chemical Brothers, Sven Vath, John Digweed and beat-box sensation Beardyman!

With all three stages powered exclusively by RCF, all musicians are sure to be in for a pleasant surprise. Never before has such a high-definition system been provided and everyone is highly anticipating this TT+ debut.

The RCF TT+ system that will be employed is as follows:

28 x TTL55-A
12 x TTS56-A
16 x TTL36-AS
8 x TTL31-A
8 x TTL33-A
4 x TT22-A

Plus all stage monitoring, utilizing:

6 x TT25-SMA
2 x TTS28-A
4 x ART415-A
2 x ART722-A

And VIP coverage with:

10 x ART410-A
2 x TT052-A

This will be a great showcase of RCF's latest products and will provide the high-definition musical energy required to power what is widely considered to be the best dance-music festival in Japan.

10.05.2012

FESTIVAL 1  FESTIVAL 2

FESTIVAL 4 FESTIVAL 3

Par rcf france - Publié dans : SONORISATION
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Samedi 5 mai 2012 6 05 /05 /Mai /2012 07:39

cuba 1  cuba 2

 

cuba 3 cuba 4

 

cuba 5

 

Le SYSTEME RCF TT + a sonorisé la visite  du Pape à LA HAVANE
Quand le pape Benoît XVI a récemment visité la capitale cubaine de La Havane, le gouvernement  Cubain a choisi RCF TT + (Touring & Théâtre)

Des centaines de milliers de Cubains de la capitale et les provinces voisines ont remplis  la Plaza de la Revolución  , 72.000 mètres carrés une des plus grandes places dans le monde

 

The system specified comprised 64 x TTL55-A (16 elements left and right of main stage and two 16-hang outfills) and 24 x TTS36-A subwoofers (12 per side). In addition, 27 xTT25-A’s were deployed as delays — in 12 towers (each containing two cabinets), and three towers with one cabinet in each.

Finally eight TT25-SMA and eight NX12-SMA wedges provided stage monitoring while system control was in the shape of two DX 4008 4-in/8-out digital loudspeaker management devices and RDNet Control8 control and monitoring network.

The system designers were both extremely impressed with the power and intelligibility of the TT+ series, which registered 106dB at the furthest point of the site (210 meters). In particular, they praised the coherent, constant coverage pattern and definition of the system — as well as its power.

In conclusion, RCF product specialist, Oscar Mora, stated: “The coverage was such that the mass of Benedict XVI could be heard clearly right across the Square, demonstrating the intelligibility of TT+. Those related to the event expressed their delight with the system and I received many plaudits and congratulations afterwards

Par rcf france - Publié dans : sonorisation
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